Playlist 22 Nov 2016

Playlist 22 Nov 2016

CONFUSED TEMPORALITIES 

LONDON

22.11.16

Unearthly early/late sounds with Confused Temporalities: expect found footage, ambient sonics, experimental avant-electronic sketches and whatever else doesn't fit the mould.

DARK AMBIENTFIELD RECORDINGSDRONEMUSIQUE CONCRETELEFTFIELD TECHNOAVANT GARDE

Confused but eeeeeerie as hell

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CONFUSED TEMPORALITIES

LONDON

27.09.16

PLAYLIST:

• SOL-I'LL FLOWER
• ALAN COURTIS-HARMONICA F'EVER
• BJORK AND BRODSKY QUARTET-COME TO ME
• JEAN SCHWARZ-MAISON DE L'ENFANCE
• JEAN SCHWARZ-VOL PLANE
• COCO ROSIE-TERRIBLE ANGELS
• BROKEBOX JUKE-ELSINCIO=SILENCE
• ANASTASIA-EXIT
• JEAN SCHWARZ-CHANTAKOA
• GILES RACOR AND DANIEL KIENTZY-EXULTITUDES
• PIERRE SCHAEFFER-CONCERTINO DIAPASON ANDANTE
• FSOL-TRANSLATION-REQUIEM
• PIERRE SCHAEFFER-QUATRE ETUDES DE BRUITS ETUDE AUX CHEMINS DE FER
• DEAD CAN DANCE-THE SPIDERS STRATAGEM

Confused Temporalities In the Field Special

Confused Temporalities In the Field Special

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• 1: CHRISTINA KUBISCH & ECKEHARD G-VISION

• 2: CATHY LANE-WATCH OVER US ALL

• 3: R. SCHWARZ-WITH THE WITCH

• 4: R. SCHWARZ-MABALEL

• 5: TORU TAKEMITSU-TOKYO REALIZATION

• 6: M. KISPERT-ANARCHY IN THE UK

• 7: XABIER ERKIZIA-AHMEDABAD EXTASIS

• 8: SUBVERSIVE INTENTIONS-HILLS LIKE SLEEPING ELEPHANTS

• 9: MERZOUGA-IN FRONT OF THE MUSIC UNIVERSITY IN WARSZAW

NTS Show 11/02/16

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Confused Temporalities

Sound Art Field Recordings Experiments Ambient Politics Hauntologies 

Broadcasting Live from  January the 14th from 8am fortnightly on NTS Radio 

We cannot reinforce identity’, or try to replace this with another identity.

What are we to do?

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joak: the electronic unknown

The Agony of Xmas

Saturday 12 December 2015 Joak  Radio Marathon

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In this broadcast we aim to reconcile our desire for 'ecstasy' through our psycho-social sonic musical practice. Perhaps our desire to formulate new ideas, and to produce “meaningful” radiophonic broadcasts, represents a quest to understand this ambiguous re-conciliation, to unravel the screwed up human condition in the light of our societies racist, sexist, homophobic, class ridden yet comfortable perception of and towards ecstasy; or to justify our embarrassing acceptance and role in the fucked up greater patriarchal capitalist design and musical network. As artists we perhaps have no other choice, or have many choices? Does the potential for ecstasy justify embarking on this agonizing journey. One thing is possible: Agony is a constant bedfellow and we are perhaps nothing if we do not try to reconcile this difference.

Join us on our next curated radio broadcast